PROJECT
film main title sequence and additional graphics
RECOGNITION
Primetime Emmy Nomination for Main Title Design
STREAMER
Max
STUDIO
HBO
Director Mick Jackson said, “I can honestly say that, for me, working with Shine was creative collaboration at its very best. Every new thought or note seemed to evince, not just a hugely stimulating dialogue, but actually seemed to inspire them to even greater heights of invention. The work Shine did on “Temple Grandin” – especially those magnificent titles – is just extraordinary. Truly groundbreaking. What a true joy to work with Shine. Can’t wait for the next opportunity!”
“Temple Grandin” was nominated for a Primetime Emmy Nomination for Outstanding Main Title Design. This is one of the Shine team's eight Emmy Nominations.
The opening shot, in an Ames Room, a distorted room that creates an optical illusion.
The imagery was inspired by and pulled from Temple Grandin's amazing drawings. As a young person she drew often, because as she said, she “thinks in pictures” visually.
A few stills from the main title design inspired by Temple Grandin's drawings.
To conclude the sequence, Temple Grandin once again appears in the Ames Room, bookending the sequence with the amazing project she built in science class as a student.
The ending shot, again in an Ames Room, a distorted room that creates an optical illusion.
To conclude the sequence, Temple Grandin once again appears in the Ames Room, bookending the sequence with the amazing project she built in science class as a student.
Graphic animation describing Temple Grandin's visual and analytical talent.
Temple Grandin could analyze shapes very accurately, like the subtle difference in the shape of these two spoons.
Temple was always problem solving, like she did with this air duct.
Temple Grandin said she “thinks in pictures”, and the graphic animation helps tell that story using the language of her incredible drafting drawings.
Always a problem solver with the mind of an engineer, she was able to see what the horse could see, by analyzing angles.
Temple Grandin was also able to see patterns in animal behaviors, like these cattle in the stockyard.
Temple Grandin used her sensitivity to make cattle handling more humane.
Temple Grandin was able to ascertain when animals were uncomfortable with human interaction.
The Shine team was able to see Temple Grandin’s drawings, and used them as inspiration for design and animation of the main title and graphic visual effects.
Temple Grandin‘s original drafting drawings.
Shine's storyboards were based on the amazing drafting drawings of Temple Grandin.
A few frames from the storyboards from the main title sequence.
